National Poetry Competition 1991

Judges

  • Liz Lochhead
  • John Whitworth
  • David Dabydeen
  • John Heath-Stubbs

Winning Poems 

Phrase Book

Jo Shapcott

I'm standing here inside my skin,

which will do for a Human Remains Pouch

for the moment. Look down there (up there).

Quickly. Slowly. This is my front room

 

where I'm lost in the action. live from a war,

on screen. I am Englishwoman. I don't understand you,

What's the matter? You are right. You are wrong.

Things are going well (badly). Am I disturbing you?

 

TV is showing bliss as taught to pilots:

Blend, Low silhouette, Irregular shape, Small,

Secluded. (Please write it down. Please speak slowly.)

Bliss is how it was in this very room

 

when I raised my body to his mouth,

when he even balanced me in the air,

or at least I thought so and yes the pilots say

yes they have caught it through the Side-Looking

 

Airbone Radar, and through the J-Stars.

I am expecting a gentleman (a young gentleman,

two gentlemen, some gentlemen). Please send him

(them) up at once. This is really beautiful.

 

Yes they have seen us, the pilots in the Kill Box

on their screens and played the routine for

getting us Stealthed, that is, Cleaned, to you and me,

Taken Out. They know how to move into a single room

 

like that,  to send in with Pinpoint Accuracy, a hundred Harms.

I have two cases and a cardboard box. There is another

bag there. I cannot open my case-look out,

the lock is broken. Have I done enough?

 

Bliss the pilots say is for evasion

and escape. What's love in all this debris?

Just one person pounding another into dust,

into dust. I do not know the word for it yet.

 

Where is the British Consulate? Please explain.

What does it mean? What must I do? Where

can I find?  What have I done? I have done

nothing. Let me pass please. I am an Englishwoman.

A Shrunken Head

John Levett

He's been stitched-up; two gummed, black-threaded eyes

Squint back across the decades in surprise

Through spiteful chinks of sunlight, acrid smoke,

Screwed-up against some wicked tribal joke.

His rictus has been sewn into a smile,

A tight-lipped dandy, puckered into style,

The clearing where his grisly fame began

Still broods beneath the kinks of wood-stained tan.

Flayed leather now,

his features smoked and cured,

His niche in culture gruesomely secured,

The needled grin is fixed, drawn back and set

Bone-dry in its reflective cabinet.

A hundred years ago he strayed alone

Towards this room of ritual skin and bone,

Believed in spirits, drank, was secretive

With knives and fish-hooks, dreamed his seed would live,

Sheathed his penis, sweated half the night

On invocations, prayed, prepared to fight,

And felt, perhaps, the moon's leaf-parted shine

Move up his legs and bathe his severed spine;

His head hacked off, half-baked into this face

That swings and grins inside its airless case.

Hung-up, he seems to twitch at each dropped word,

As if, although we whisper, he had heard,

And stares through us to what we cannot see,

Our unstitched smiles, their pale atrocity.

 

John Levett's Comment 

“I remember an initial and very real sense of affirmation. Robert Frost reminds us that the term “poet” is a praise word, a title given to us by others. So that phone call from the Poetry Society was, for me, a kind of bestowal.”