When she asked, in her less matriarchal voice, whether I had spoken to you lately, I responded with a gentle no, wondering why. She mentioned Uncle D had spotted Big Mummy in the hospital. Her tiny frame wrapped from the brisk wind outside, wearing her bold yet formal bifocal glasses. Uncle D saw her in the reception area on more than one occasion, waiting to be seen. Mum told me they would greet each other like awkward encounters at bus stops. They never asked why they were there. That cultural thing, you know? Treating illness like a wet dream, tying the sheet in knots to cover the embarrassment. It was as if they were strangers in that airy, clinical room. No one could tell the depth of their closeness. They would sit amid the ambience of the clock. The metronome of the second hand ticking louder until one of their names was called, breaking the melancholy loop. Leaving the other more alone. I should mention that Uncle D had a cancer scare roughly a year or so ago. I’m not sure when exactly. That cultural thing. A lump the size of a table tennis ball just above his shoulder blade, refusing to budge. I’d look, wanting to pop it with something sharp, a spindle to cast it to sleep forever. He saw Big Mummy in there, until the lump gave in and he went into remission. He saw her in that waiting room as branches shed their skin anew. He saw her as the sun shone over everyone, even the most unholy. He saw her on mornings his body trembled beneath his clothes. He saw her until the morning he no longer had to see her again. The same morning her secret left her. Flying its nest, and finding a home in him, as they both wept.
stdClass Object ( [ID] => 20730 [post_author] => 6 [post_date] => 2020-03-25 13:56:12 [post_date_gmt] => 2020-03-25 13:56:12 [post_content] =>When she asked, in her less matriarchal voice, whether I had spoken to you lately, I responded with a gentle no, wondering why. She mentioned Uncle D had spotted Big Mummy in the hospital. Her tiny frame wrapped from the brisk wind outside, wearing her bold yet formal bifocal glasses. Uncle D saw her in the reception area on more than one occasion, waiting to be seen. Mum told me they would greet each other like awkward encounters at bus stops. They never asked why they were there. That cultural thing, you know? Treating illness like a wet dream, tying the sheet in knots to cover the embarrassment. It was as if they were strangers in that airy, clinical room. No one could tell the depth of their closeness. They would sit amid the ambience of the clock. The metronome of the second hand ticking louder until one of their names was called, breaking the melancholy loop. Leaving the other more alone. I should mention that Uncle D had a cancer scare roughly a year or so ago. I’m not sure when exactly. That cultural thing. A lump the size of a table tennis ball just above his shoulder blade, refusing to budge. I’d look, wanting to pop it with something sharp, a spindle to cast it to sleep forever. He saw Big Mummy in there, until the lump gave in and he went into remission. He saw her in that waiting room as branches shed their skin anew. He saw her as the sun shone over everyone, even the most unholy. He saw her on mornings his body trembled beneath his clothes. He saw her until the morning he no longer had to see her again. The same morning her secret left her. Flying its nest, and finding a home in him, as they both wept.
[post_title] => How It Started [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => how-it-started [to_ping] => [pinged] => [post_modified] => 2020-03-25 13:56:12 [post_modified_gmt] => 2020-03-25 13:56:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://poems.poetrysociety.org.uk/?post_type=poems&p=20730 [menu_order] => 0 [post_type] => poems [post_mime_type] => [comment_count] => 0 [filter] => raw [meta_data] => stdClass Object ( [wpcf-published-in] => The Poetry Review [wpcf-date-published] => The Poetry Review, spring issue, 2020. [wpcf-summary-description] => This poem was published in The Poetry Review, Spring issue, 2020. [wpcf-rights-information] => [wpcf-poem-award] => [wpcf_pr_belongs] => ) [poet_data] => stdClass Object ( [ID] => 20771 [forename] => [surname] => [title] => Yomi Ṣode [slug] => yomi-%e1%b9%a3ode [content] => Yomi Ṣode is a Nigerian British writer, performer, facilitator and Complete Works Alumni. He has read poems at Lagos International Poetry Festival, Afrika Fest with Speaking Volumes in Finland, the New York Public Library with the British Council and at Edinburgh International Book Festival. His writing has been published widely, in The Rialto magazine and the anthologies Bare Lit Anthology, 10: Poets of the New Generation, Tales of Two Londons and the forthcoming Safe: On Black British Men Reclaiming Space. He is the co-editor, with Kate Birch, of Voices of London: Barking and Dagenham. In 2019 Yomi was awarded one of three Jerwood Compton Poetry Fellowships and in 2020 he delivered the second annual Verve Poetry Performance Lecture. COAT, Yomi’s first one-man show, has toured nationally and he is currently working on his first poetry collection and second show. ) )
stdClass Object
(
[ID] => 20771
[forename] =>
[surname] =>
[title] => Yomi Ṣode
[slug] => yomi-%e1%b9%a3ode
[content] => Yomi Ṣode is a Nigerian British writer, performer, facilitator and Complete Works Alumni. He has read poems at Lagos International Poetry Festival, Afrika Fest with Speaking Volumes in Finland, the New York Public Library with the British Council and at Edinburgh International Book Festival. His writing has been published widely, in The Rialto magazine and the anthologies Bare Lit Anthology, 10: Poets of the New Generation, Tales of Two Londons and the forthcoming Safe: On Black British Men Reclaiming Space. He is the co-editor, with Kate Birch, of Voices of London: Barking and Dagenham. In 2019 Yomi was awarded one of three Jerwood Compton Poetry Fellowships and in 2020 he delivered the second annual Verve Poetry Performance Lecture. COAT, Yomi’s first one-man show, has toured nationally and he is currently working on his first poetry collection and second show.
)