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[ID] => 21382
[post_author] => 23
[post_date] => 2021-01-22 13:49:49
[post_date_gmt] => 2021-01-22 13:49:49
[post_content] => this is the way your activism has always been: in your hair, on the car window, a stain on the bus seat. white people will show your husband on TV. he will wear your blood on the screen like a new tooth. you know King’s shoes and how they walk. you know the speech is written on your neck. in a language of smudge. you women of glossy wrists. sisters of the dropper bottle. your activism comes from the beauty supply. you know no one accuses your skin of being dry. you know Rosa knew how to stay in her seat forever. you know her ass is there still, in an oil’s attire. what’s the point of a cop, if he can never remove your stain (which is to say, he can never remove you)? if they say your names, would their lips become rivers? would the skin run into their knees? you remember first your mother, who needed oil to get a cleaning job. and your auntie, who used it to get slick enough for a white man. you remember Ella Baker, who put oil on her elbows. castor spell on whoever questions your knee grease. you tell them the oil got your kids into schools. the oil threatened a food counter. the oil held your loudest sign in the air. you know the history book deserves your hair in an esteemed position. a smile that says yes, I ended racism for your puddy hands to turn me to paper. but instead, the book gets a row of Malcolm’s chin hair. as if a mother like you didn’t rub the stubble a little. didn’t sneak in a wink of castor oil. i will take the oil from
my temples. make a soil where your picture should be.
[post_title] => smear women
[post_excerpt] =>
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[post_name] => smear-women
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[post_modified] => 2021-01-22 13:53:19
[post_modified_gmt] => 2021-01-22 13:53:19
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[guid] => https://poems.poetrysociety.org.uk/?post_type=poems&p=21382
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[post_type] => poems
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[wpcf-published-in] =>
[wpcf-date-published] => 2017
[wpcf-summary-description] => This poem was commended in the Foyle Young Poets of the Year Award 2017.
[wpcf-rights-information] =>
[wpcf-poem-award] => Commended, Foyle Young Poets of the Year Award 2017
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[poet_data] => stdClass Object
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[ID] => 20190
[forename] =>
[surname] =>
[title] => Kara Jackson
[slug] => kara-jackson
[content] => Commended in the Foyle Young Poets of the Year Award in 2016 and 2017, Kara Jackson has been both the Youth Poet Laureate of the USA (2019) and the Youth Poet Laureate of Chicago (2018-19). She won the literary award at the 2018 Louder Than a Bomb finals selected by National Book Award and Pulitzer Prize finalist Patricia Smith. Kara was a member of the University of Pennsylvania’s Adroit Magazine Mentorship Program; was selected three times to the extremely competitive Louder Than a Bomb “Bomb Squad”; won the Brown University Book Award; and is a multiple awardee of the Scholastic Arts and Writing Award. She was a semi-finalist in Nimrod International Journal’s Pablo Neruda Prize in Poetry and was selected by Pulitzer Prize winner Tyehimba Jess as runner-up in the Frontier Poetry’s Award for New Poets. It should be noted that Kara competed against adults in both of these latter competitions. Kara just had an essay published in Poetry magazine making her one of the youngest prose writers in the 106-year-history of the prestigious journal. This essay was republished in The Poetry Review and you can read it here. Kara also wrote and judged August challenge #4 on Young Poets Network in 2019, challenging young poets to explore the poetics of interrogation.
)
)
stdClass Object
(
[ID] => 20190
[forename] =>
[surname] =>
[title] => Kara Jackson
[slug] => kara-jackson
[content] => Commended in the Foyle Young Poets of the Year Award in 2016 and 2017, Kara Jackson has been both the Youth Poet Laureate of the USA (2019) and the Youth Poet Laureate of Chicago (2018-19). She won the literary award at the 2018 Louder Than a Bomb finals selected by National Book Award and Pulitzer Prize finalist Patricia Smith. Kara was a member of the University of Pennsylvania’s Adroit Magazine Mentorship Program; was selected three times to the extremely competitive Louder Than a Bomb “Bomb Squad”; won the Brown University Book Award; and is a multiple awardee of the Scholastic Arts and Writing Award. She was a semi-finalist in Nimrod International Journal’s Pablo Neruda Prize in Poetry and was selected by Pulitzer Prize winner Tyehimba Jess as runner-up in the Frontier Poetry’s Award for New Poets. It should be noted that Kara competed against adults in both of these latter competitions. Kara just had an essay published in Poetry magazine making her one of the youngest prose writers in the 106-year-history of the prestigious journal. This essay was republished in The Poetry Review and you can read it here. Kara also wrote and judged August challenge #4 on Young Poets Network in 2019, challenging young poets to explore the poetics of interrogation.
)
this is the way your activism has always been: in your hair, on the car window, a stain on the bus seat. white people will show your husband on TV. he will wear your blood on the screen like a new tooth. you know King’s shoes and how they walk. you know the speech is written on your neck. in a language of smudge. you women of glossy wrists. sisters of the dropper bottle. your activism comes from the beauty supply. you know no one accuses your skin of being dry. you know Rosa knew how to stay in her seat forever. you know her ass is there still, in an oil’s attire. what’s the point of a cop, if he can never remove your stain (which is to say, he can never remove you)? if they say your names, would their lips become rivers? would the skin run into their knees? you remember first your mother, who needed oil to get a cleaning job. and your auntie, who used it to get slick enough for a white man. you remember Ella Baker, who put oil on her elbows. castor spell on whoever questions your knee grease. you tell them the oil got your kids into schools. the oil threatened a food counter. the oil held your loudest sign in the air. you know the history book deserves your hair in an esteemed position. a smile that says yes, I ended racism for your puddy hands to turn me to paper. but instead, the book gets a row of Malcolm’s chin hair. as if a mother like you didn’t rub the stubble a little. didn’t sneak in a wink of castor oil. i will take the oil from
my temples. make a soil where your picture should be.